April 28, 2007...7:45 pm

Matsuo Bashō - A bilingual Collection of his Haiku Poems

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Matsuo Bashō 松尾 芭蕉 164428 November 1694) was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was renowned for his works in the collaborative haikai no renga form; today, he is recognized as a master of brief and clear haiku.

古池
蛙飛び込む
水の音

furu ike ya
kawazu tobikomu
mizu no oto

The old pond:
A frog jumps in,—
The sound of the water.

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蛸壺や
はかなき夢を
夏の月

tako tsubo ya
hakanaki yume wo
natsu no tsuki

The octopus’ fleeting dream
in the trap
the summer moon

年暮れぬ
笠きて草鞋
はきながら

Toshi kurenu
Kasa kite waraji
Hakinagara

Another year is gone;
and I still wear
straw hat and straw sandal.

この道や
行く人なしに
秋のくれ

Kono michi ya
yuku hito nashini
aki no kure

Along this road
Goes no one,
This autumn eve.

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旅に病で
夢は枯野を
かけ廻る

tabi ni yande
yume wa kareno wo
kake-meguru

Sick on a journey,
my dreams wander
the withered fields


京にても
京なつかしや
時鳥

Kyou nitemo
kyou natsukashi ya
hototogisu

Even in Kyôto—
hearing the cuckoo’s cry—
I long for Kyôto

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田一枚
植て立去る
柳かな

ta ichimai
uete tachisaru
yanagi kana

One field
did they plant.
I, under the willow.

静けさや
岩に滲み入る
蝉の声

Shizukesaya
Iwa ni shimiiru
Semi no koe

This pervasive silence
Enhanced yet by cicadas simmering
Into the Temple Rocks dissipating

行春や
鳥啼魚の
目は泪

Yuku haru ya
tori naki uo no
me wa namida

Spring departing—
the birds cry out
and the eyes of the fish
are full of tears

一家に
遊女もねたり
萩と月

hitotsuya ni
yûjo mo netari
hagi to tsuki

Under the same roof
Prostitutes were sleeping—
The moon and clover

蛤の
ふたみにわかれ
行秋ぞ

hamaguri no
futami ni wakare
yuku aki zo

Dividing like clam
and shell, I leave for Futami—
Autumn is passing by

荒海や
佐渡によこたふ
天河

ura umi ya
sado ni y otau
ama no gawa

Turbulent the sea—
across to Sado stretches
the Milky Way

蚤虱
馬の尿する
枕もと

nomi shirami
uma no shito suru
makura moto

Plagued by fleas and lice,
I hear the horses stalling
Right by my pillow


木のもとに
汁も膾も
桜かな

ki no moto ni
shiru mo namasu mo
sakura kana

Underneath the trees
soups and salads are buried
in cherry blossoms

風流の
初やおくの
田植うた Fûryû

no ha no
hajime ya u no
ta ue uta

The true beginnings
Of poetry—an u
Rice-planting song

桂男
すまずなりけり
雨の月

Katsura-ot o
sumazu nari keri
ame no tsuki

The man in the moon
Has become homeless;
Rain clouded night


塚も動け
わが泣く聲は
秋の風

tuka mo ug e
waga naku koe wa
aki no kaze

Though I would move the grave,
my teary cry
was lost in the autumn wind.

朝顔に
我は飯食ふ
男かな

asagao ni
ware wa meshi kû
ot o kana

I am one
Who eats his breakfast,
Gazing at morning glories.

秋深き
隣は何を
する人ぞ

aki fukaki
tonari wa nani wo
suru hito zo

Deep autumn—
my neighbor,
how does he live, I wonder?


うき我を
さびしがらせよ
閑古鳥

uki ware wo
sabishigarase yo
kankodori

Not this human sadness,
cuckoo,
but your solitary cry.

憂き節や
竹の子となる
人の果て

uki fushi ya
take no ko to naru
hito no hate

Sad nodes
we’re all the bamboo’s children
in the end

早稲の香や
分入右は
有磯海

wase no ka ya
wake iru migi wa
Ariso umi

Sweet-smelling rice fields!
To our right as we push through,
The Ariso Sea.


白魚や
黒き目を明く
法の網

Shirauo ya
kur i me wo aku
hô no ami

The whitebait
opens its eye
in the net of the law

手にとらば消ん
涙ぞ熱き
秋の霜

te ni toraba kien
namida zo atsuki
aki no shimo

Should I take it in my hand,
it would disappear with my hot tears,
like the frost of autumn.

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Quote

No yesterday, no tomorrow, and no today.

Sheng-ts’an

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